The Wolf Man

Episode 65 – Universal Monster Rallies

March 6, 2024

Frankenstein Meets the Wolf Man (1943), House of Frankenstein (1944), and House of Dracula (1945).

Some say that the monster rally films marked the end of the Universal creature features, which could partially be true, but we feel it is for different reasons than the actual films themselves, and they still have a lot of merit to them. While the studio heads might not have cared too much about getting them made, those involved did their best with what they had. One of the biggest highlights of these titles is the cast of actors in them, some making their last appearances. You get to see Karloff, Chaney Jr., Carradine, J. Carrol Naish, George Zucco, Lionel Atwill, Dwight Frye, and so many other regular faces that will bring a smile to your face when they pop up onscreen.

While maybe running a little thin on ideas and decided to start combining monsters to hopefully bring back bigger box office returns, they still made films that we all still feel are entertaining and we feel are more than worth your time.

Movies mentioned in this episode:

Episode 58 – Universal Werewolf Films

November 29, 2023

The Werewolf of London (1935), The Wolf Man (1941), and She-Wolf of London (1946)

When the night falls and the full moon rises, it is time to talk about werewolves. But not just any werewolves, but the ones that came from Universal Studios. While still riding the wave of their horror title success of Dracula, Frankenstein, The Mummy, and The Invisible Man, Universal office continued to look for their next big monster, which spawned The Werewolf of London. While it wasn’t the success they’d hoped, they would try it again in 1941 on the second wave of monster films, which was a big hit. And like the curse of lycanthropy, things always weren’t good with this particular sub-genre.

We cover the three official titles from Universal that have the werewolf (one in title alone!) is by themselves, and not any of the monster-rallys that we’ll cover in the future. Will they still hold up to modern audiences? Are they worthy of their “classic monster” title? Listen and find out.

Films mentioned in this episode: