Four decades on, and Fangoria is still one of the leading voices of horror culture. But in its heyday in the 1980s, it was the gold standard. It wouldn’t be an overstatement to say that Fangoria was the most important part of horror culture at that time. On this episode of Discover the Horror, we take a trip through Fango’s history and discuss how it shaped out love of the genre, as well as speculating on how it shaped the genre as a whole.
The Vampire Doll (1970), Lake of Dracula (1971), and Evil of Dracula (1974).
In the annals of Japanese horror cinema, this vampire trilogy from director Michio Yamamoto seems to be close to escaping into obscurity. In fact, try finding much more than a passing mention of these films in any reference books. But thanks to Arrow Video, all three of these films are at least saved from fading away in the sunlight like any good vampire, in one fantastic box set! Because these seemed to be on the outskirts of the vampire genre, we thought it would be a great opportunity for us to take a closer look at them, and to see if they need more attention. Listen and find out!
Re-Animator (1985), From Beyond (1986), and Dagon (2001)
Bringing the works of Howard Phillips Lovecraft to the screen is not an easy task. Much of the horrors Lovecraft talked about wasn’t described or explained too much, leaving it up to the reader. But when director Stuart Gordon, producer Brian Yuzna, and writer Dennis Paoli got together to adapt Lovecraft’s 1922 story “Herbert West – Re-Animator” for a movie, they changed cinema forever. Not only did they show us more than Lovecraft would ever dream of, they created a perfect blend of outrageous horror, gore, and bizarre imagery that would immediately put them in the horror history books.
The following year, they took another short story, From Beyond, first published in 1934, and showed even more strange, bizarre, and gooey things we’d seen before, going beyond then what the short story told us.
Then 15 years later, these three deranged creators returned to Lovecraft to take us to a fishing village filled with very unusual citizens, in 2001’s Dagon.
While Gordon’s filmography might not be filled with classic after classic, when he hit a home run, usually when he’s working with Yuzna and Paoli, they knock the cover off the ball.
Invasion of the Body Snatchers (1956), and Invasion of the Body Snatchers (1978).
We’ve decided to take on a little twist here, doing an on-going series that we’re calling Twice Told Tales. This is where we are going to compare two films, an original and its remake. This is not to say which one is better, but to highlight the positives of both, what we feel works, and the differences between them.
For our first episode in this series, we’re going to tackle the first two versions of Invasion of the Body Snatchers. We’re not discussing about the 2 later day versions for any reasons specifically, but wanted to concentrate on the two that are more well know, and obviously because they were the first two versions. With both of these titles recently being released on 4K, you might find yourself wanting to upgrade. Careful, there are spoilers here, but I’m sure any fan of any merit already knows of what we’ll speak about. Enjoy!
Mother’s Day (1980), Madman (1981), Pieces (1982), and Evil Dead Trap (1988)
When you’re talking about horror films with most non-horror fans, they usually are thinking about the slashers which they seem to encapsule all of that genre. But when us fans start to dig into that sub-genre, that’s when the questions arise, parameters seemed like they have to set, even though plenty of the films go out of their way to beyond said parameters. As if any were meant to stay between the lines!
Then you start to delve into when the sub-genre started, which can then start another round of questions and discussions.
To help get those arguments . . . we mean discussions started, in this episode we’re going to cover 4 different slasher films, granted, of varying types, but we feel still fits into the category of slasher films. And to help with this, we’ve invited Aaron Crowell, Managing Editor of HorrorHound Magazine back to join in the conversation.
Films discussed: Satan’s Sadists (1969), Brain of Blood (1970), Dracula vs. Frankenstein (1971)
From the mid-60’s until the late 70’s director Al Adamson and producer Sam Sherman made some of the most memorable low-budget horror and exploitation pictures to slide across American drive-in and grindhouse screens. Together they made films that not only exemplified genre, they also often transcend and blended genres, creating something that has stuck in the filmgoing collective consciousness for over half a century. And when Severin Films released The Al Adamson Masterpiece Collection boxed set in 2020, whole new generations were introduced to Al and Sam’s work, and those of us who were already familiar learned a thing or two (or twenty) and got to see them look better than they have since they sat on a double bill in a 70s sleaze palace.
In the realm of low budget filmmakers, Al Adamson, along with his partner, producer Sam Sherman, are gods among men. They created a wide variety of pictures, in just about every sub-genre out there, and made with more love than money. But they were entertaining, and always memorable. Perhaps their most memorable (and successful) film was 1971’s Dracula vs. Frankenstein, in no small part thanks to the casting of a young, unknown actor in the iconic role of Dracula. Raphael Engel, rechristened Zandor Vorkov was a whole new kind of creature of the night-longhaired, goateed, and able to shoot fire out of his ring, this was a brand-new Dracula for a brand-new age. Zandor’s Dracula stalked across the screen of virtually every grindhouse and drive-in screen in America in the early 70s and then across every television screen in America for a couple of decades after that. While his Dracula was being elevated to pop culture celebrity, Zandor himself left the movie business and fell out of the public eye for decades. Go to a convention, and bring up Al Adamson, and someone would eventually say “I wonder what ever happened to Zandor Vorkov?”
The Cabinet of Dr. Caligari (1920), The Golem; How He Came into the World (1920), and Waxworks (1924).
In the very beginning of cinema, it was the German filmmakers who took cinema to the next level, even when it was still in its infancy. Creating strange angles, weird landscapes and buildings, and bizarre stories, these filmmakers gave audiences something completely new and different. It made such an impact, that it would inspire future filmmakers for generations to come.
While being silent, these films still created such haunting images, wild characters, and fantastical designs of the sets, that can still make an impact to today’s modern audiences. When Discovering the Horror, it is always important to know how we got to where we are, and the German expressionist horror films of that era is a great place to start. If you want to scoff at silent cinema, then you are depriving yourself of some truly great pieces of art, and of history.
In the mid 1950’s an overzealous witch hunt took place in the United States focused on the corrupting effects of comic books on young people, which ended in horror comics being banned from the shelves by a draconian comics code. But why? What did those comics contain that got people so riled up? Well, it depends on who you ask.
WE asked Dr. Dan Yezbick, a comics scholar, and he sparked a lively discussion. If you’re only vaguely aware of this chapter of horror history, strap in, because pre-code horror is one of the more fascinating areas of the history of the genre.
Them! (1954), The Deadly Mantis (1957), and The Black Scorpion (1957)
The decade of the 1950s gave horror fans a ton of different giant monster flicks, but usually taking something seemingly harmless, such as ants or grasshoppers, but somehow, someway, are mutated into growing into gigantic proportions! We had giant spiders, praying mantis, mollusks, and anything these creative filmmakers could come up, just make them bigger and let them loose!
While modern critics, or even those at the time when these titles came out, passed them off as something for the kiddies and not to be taken seriously. And sure, they were definitely made under the term of exploitation, but when you really look at them, there is a lot of talented people behind and in front of the camera, and some really well-made and creative craftsmanship going on as well. Some aspects may seem and are very dated by today’s standards, but there is still a lot there, as well as a lot of entertainment value. So, grab your can of raid, a giant size flyswatter, and maybe even some industrial strength gloves to wear so you don’t have to tough any of these nasty little buggers and listen to us have a little fun discussing some big creepy crawlers!
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